Post: Zinoleesky vs Moliy: The Social Media Feud That Set X Ablaze

Zinoleesky vs Moliy: The Social Media Feud That Set X Ablaze

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Zinoleesky

Zinoleesky and Moliy’s Heated Exchange on X Shakes the Music Scene

On October 15, 2025, Nigerian street-pop star Zinoleesky ignited a fierce debate on X (formerly Twitter). It all started with his sharp jab at Ghanaian-American singer Moliy. He tweeted, “2 hits wonder… and I don’t even know the 2nd song @moliymusic.” This quick diss spread rapidly across social media, drawing massive attention.

Moliy didn’t hold back. She fired back with an equally sharp response: “Very grateful to not be known by you, artists that know me aren’t local champions.” This comeback hinted at her wider influence beyond local scenes.

Fans and fellow artists quickly jumped into the conversation. The replies flooded with memes, statistics, and hot takes supporting both stars. The clash escalated when Zinoleesky called Moliy a “Remix goddess” and added a mysterious line many read as an OnlyFans reference.

Social Media Fuels the Nigeria-Ghana Music Rivalry

This public back-and-forth reignited long-standing debates about competition between Nigerian and Ghanaian artists. Social media continues to amplify these rivalries, keeping fans engaged and divided.

Despite the drama, both stars remain musically strong. Moliy, known for her feature on Amaarae’s hit Sad Girlz Luv Money, attracts around 14.6 million monthly Spotify listeners. Zinoleesky, signed to Marlian Music, boasts 2.3 million monthly listeners with popular tracks like Kilofeshe and Personal.

What This Means for African Music

The Zinoleesky vs Moliy feud highlights the powerful role of social media in shaping artist narratives. It shows how digital platforms can both fuel competition and bring artists into the global spotlight.

As African music continues to grow internationally, these conversations remind us of the passion and rivalry driving the scene. Fans eagerly await what comes next from both artists after this explosive encounter.

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