Veteran Nigerian actor Abiodun Ayoyinka has opened up about his ongoing financial struggles and professional restrictions, despite his fame from the iconic comedy series Papa Ajasco & Company.
In a recent interview with media personality Lucky Udu, the actor revealed that he currently does not own a house or a car. He also explained that securing new opportunities has been difficult since he retired from public service five years ago.
According to Ayoyinka, one of the biggest challenges is the legal ownership of the Papa Ajasco character. The role is trademarked by Wale Adenuga Productions, which limits how the actor can use the character outside the original production.
Because of this trademark protection, Ayoyinka said he cannot freely use the name, costume, or full persona of Papa Ajasco for independent projects or commercial engagements.
“The major problem is that particular character has been registered by Wale Adenuga. Anybody that wants to use me outside wants me with the character, with everything that I have, but it has never been easy for me.”
He further explained that he must obtain permission before using any part of the character.
“I don’t have the right. I can’t use the name Papa Ajasco unless I go and take permission. I can’t even use the costume.”
Ayoyinka also pointed out that the popularity of the role has made it difficult for audiences and potential employers to see him beyond the character.
“Because that character is very strong, they want to see me as Papa, dress like Papa, look like Papa. It is always difficult for me to do it.”
Before his current struggles, the veteran actor worked with the Lagos State Ministry of Tourism, Arts and Culture. However, he retired from the position five years ago.
Reflecting on his current situation, Ayoyinka admitted that life has not been easy since then.
“Things have never been okay for years now. I retired five years ago, and it has never been easy for me to move around and connect with people. I’m always thinking every day. Look at my home—I don’t have my own house. I don’t have a car.”
His revelations have sparked conversations about how veteran actors in Nigeria struggle with financial stability and intellectual property restrictions tied to iconic characters.
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